So the eyeballs swivel around and then bounce out of the head, and I made some dark lashes and a kind of fluttery blink…Īll in all I made 51 prints, but there are many more photos as they also record the build up of colour on each piece of paper. It is essential to have an absolutely even layer of glue in preparation for pasting the original drawing which is faced down and pasted onto the wood block. It was entertaining, and laborious, and then just a little bit overwhelming.Īfter a while I wanted to record the actual process rather than the final imagesĪnd then I started to worry about why I was trying to make perfectly registered images each time, when really the process of making the prints would naturally generate interesting frames. Then get paper dampened, then patient printing by hand, involving a gradual building up of colour over a few hours to days… Translated to a long time to carve some wood I thought it would be funny to make very purely digital images in Japanese woodblock technique. The unique process of mokuhanga involves hand carving, is environmentally friendly, able to be done at home, in any scale, anytime and anywhere. Every now and then, the registration would be out by a fraction of a millimetre, and the print would fail. This exciting printmaking intensive focuses on mokuhanga: water-based Japanese woodblock printmaking. I learned to hold my elbows out a certain way to fix the edges of the paper on the registration marks accurately, and how to trust that registration mark when each poster needed two or three printings to achieve the required depth of colour. I made my own homemade recipe for ink, combining gum arabic with nikawa and pure pigment, a blend of graphtol red and ruby red, and added a tiny drop of sumi ink to help the colour depth. An increasingly popular yet age-old art form, Japanese woodblock printing (mokuhanga) is embraced for its. of hanshita/kyogo (preliminary prints on thin paper glued to the block) and. I had to learn how to ink up generously on the block with an almost foamy layer of ink, without leaving a drop of ink anywhere near my table, in order to keep the edges of the paper clean when they were placed face down. A Modern Guide to the Ancient Art of mokuhanga. Cabrillo Extension: Mokuhanga, Japanese Waterbase Woodcut This class is an. Having made linocuts for the past few years, it was a shock to be a beginner at a technique again. It took a lot of determination to keep going, as each print took an hour, so it was days and weeks before I’d made a passable layer of colour. I have to admit, my first 50 prints were a disaster.
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